Protagonistas: Jasper Emet Cullen
John Soap McTavish
Cullen
Wenseslao Wilson
Cullen
Antagonista : Elmer Curio
Mensajeros: Narrador
Henri Matisse
Pablo Picasso
Todo comienza en 1906 cuando Pablo Picasso y Henri Matisse se conocen y obtienen un pincel extraordinario en una tienda de coleccionistas con el que hacen 2 pinturas que si las juntas aparecerá mágicamente una puerta a un mundo paralelo.
Muchos años después 3 chicos en el Museo MOMA de NY encuentran estas 2 pinturas y las juntan y la puerta se hace pero también tienen que encontrar una llave especial para la puerta.
Clímax
Cuando los 3 Hermanos entran en el mundo paralelo pictórico se encuentran con el antagonista Elmer Curio que quiero robar el fruto máximo de el arte y acabar con el para que el arte ya no exista. Los 3 hermanos envueltos en una persecución para detenerlo hacen un plan y detienen a Elmer Curio.
Desenlace
Los 3 hermanos esconden el fruto máximo de el arte en un lugar seguro para que nadie quiera acabar con el otra vez.
Fernando Villegas
Adrián Mendoza
Reynier Puig
Mauricio Muñoz.
Tuesday, March 27, 2012
JVS TRANSMEDIA STORY TELLING ART PROJECT: THE STORY "El Robo Frustrado"
Mía protagonista
Ladrón antagonista
Lili , Susi y Marcus
El robo frustrado
Los 4 amigos van a una al museo Lourve en una escurcion entran al museo y empiezan a ver la pinturas de repente suena la alarma
Susi : vamos a ver las pinturas para ver si no falta nada
Marcus : esta roto este vidrio vengan .
Mía : tenemos que encontrar la pintura
¡ El cuadro se lo llevan ¡
Todos corieron y vieron al ladrón . Y Mía lo empujo y cayo .
Mía : tomen el cuadro rápido
Lili lo tomo y se fue corriendo
Marcus ,Mía y Susi sostuvieron y llego un guardia lo tomo .
Guardia : gracias chicos y tu pagaras todo lo que haz hecho .
Los 4 fueron reconocidos como los protectores del Lourve .
Jireh González
Ladrón antagonista
Lili , Susi y Marcus
El robo frustrado
Los 4 amigos van a una al museo Lourve en una escurcion entran al museo y empiezan a ver la pinturas de repente suena la alarma
Susi : vamos a ver las pinturas para ver si no falta nada
Marcus : esta roto este vidrio vengan .
Mía : tenemos que encontrar la pintura
¡ El cuadro se lo llevan ¡
Todos corieron y vieron al ladrón . Y Mía lo empujo y cayo .
Mía : tomen el cuadro rápido
Lili lo tomo y se fue corriendo
Marcus ,Mía y Susi sostuvieron y llego un guardia lo tomo .
Guardia : gracias chicos y tu pagaras todo lo que haz hecho .
Los 4 fueron reconocidos como los protectores del Lourve .
Jireh González
JVS TRANSMEDIA STORYTELLING ART PROJECT: THE STORY "Los pinceles magicos"
LOS PINCELES MAGICOS
Dos grandes pintores llamados Pablo Picasso & Henri Matisse se conocen en París, ellos hacen dos pinturas que si las juntas forman un portal mágico, los dos atemorizados pero a la misma vez sorprendidos abrieron la mágica puerta que formaban las dos pinturas y Matisse & Picasso se quedaron atrapados en un mundo paralelo de colores y arte.
Personajes: Protagonista -Picasso -Matisse
Antagonista: Elmer Curio
Lugar: Paris
Tiempo: 1906
Adrian
Dos grandes pintores llamados Pablo Picasso & Henri Matisse se conocen en París, ellos hacen dos pinturas que si las juntas forman un portal mágico, los dos atemorizados pero a la misma vez sorprendidos abrieron la mágica puerta que formaban las dos pinturas y Matisse & Picasso se quedaron atrapados en un mundo paralelo de colores y arte.
Personajes: Protagonista -Picasso -Matisse
Antagonista: Elmer Curio
Lugar: Paris
Tiempo: 1906
Adrian
Tuesday, March 20, 2012
JVS TRANSMEDIA STORYTELLING ART PROJECT: RESEARCH "Surrealism"
What is Modernism?
Modernism:Is the term describes the modernist movement in the arts, its set of cultural tendencies and associated cultural movements,in particular the development of modern industrial societies.
Surrealism
The main exponent of the Surrealism are: Salvador Dali,Rene Magritte and Joan Miro.
One of the most famous paintings of Salvador Dali are:The Great Masturbator,Saint Antoine and The Persistence of Memory
How the Surrealism affect
Surrealism will extend from 1924 until the end of World War II filled, fantasy cheerful and lyrical ludical
Modernism:Is the term describes the modernist movement in the arts, its set of cultural tendencies and associated cultural movements,in particular the development of modern industrial societies.
Surrealism
The main exponent of the Surrealism are: Salvador Dali,Rene Magritte and Joan Miro.
One of the most famous paintings of Salvador Dali are:The Great Masturbator,Saint Antoine and The Persistence of Memory
How the Surrealism affect
Surrealism will extend from 1924 until the end of World War II filled, fantasy cheerful and lyrical ludical
JVS TRANSMEDIA STORYTELLING ART PROJECT: RESEARCH "Modernism : Fauvism"
Modernism
Modernism refers to the characteristics of the modern time and it is a new thought. Modernism is an artistic and cultural movement in middle 19th century on France, generally the find by new form of art
Fauvism
The style was essentially expresionist and generally featured landscapes in which form was distorted and they used very strong colors.
Representative Artists and Paintings
1.- Henri Matisse: The Red Room ,The Joy of Living
2.- Andre Derain: A Snowy Landscape
3.- Maurice Vlaminck : Portrait of a Women ,Restaurant in Marly-le-Roi
Music
On the fauvism the music inspired the the artists to create new pieces of paintings like "The Violin" from Matisse.
The principal countries that represented Fauvism was France,a part of England and a part of Spain.
Historic Events
1905 to 1908: Science and Technology
• Einstein presented the Theory
Of Relativity.
Sport
• Was created Chelsea Football
Club.
Deaths
• Jules Verne dies
Wars
• Russian Revolution
Mexico
• Borns Higinio Ruvalcaba a
Mexican musician
• On January 7 ,1907 on
Mexico on the Rio Blanco
There are executed strikers
• July 1st : It's founded Club
Guadalajara.
Countries
• On May 15,1905 was
founded Las Vegas , Nevada
Fernando and Adrian
JVS TRANSMEDIA STORYTELLING ART PROJECT: RESEARCH "Post impressionism"
Post impressionism
Post impressionism is the term coined by the British artist and art critic Roger Fry in 1910 to describe the development of French art since Manet. Fry used the term when he organized the 1910 exhibition Manet and the Post-Impressionists. Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colours, thick application of paint, distinctive brush strokes, and real-life subject matter, but they were more inclined to emphasize geometric forms, to distort form for expressive effect, and to use unnatural or arbitrary colour.
Post impressionism is the term coined by the British artist and art critic Roger Fry in 1910 to describe the development of French art since Manet. Fry used the term when he organized the 1910 exhibition Manet and the Post-Impressionists. Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colours, thick application of paint, distinctive brush strokes, and real-life subject matter, but they were more inclined to emphasize geometric forms, to distort form for expressive effect, and to use unnatural or arbitrary colour.
JVS TRANSMEDIA STORYTELLING ART PROJECT- RESEARCH "International style"
International Style
This style began to take shape in the decade from 1920 to 1930 in Europe.
In the late nineteenth century Boga was uncomfortable with the eclecticism and the difference of architectural styles, as it took ornaments and key elements of various styles and periods, with no respect at any time to the relationship between form and function of buildings.
At the end of the nineteenth century Boga was uncomfortable with the eclecticism and the difference of architectural styles, as it took ornaments and key elements of various styles and periods, with no respect at any time to the relationship between form and function of buildings.
Modernism is a time in our history when traditional values began to change.
This style is based on previous innovations of the constructivist and especially the "elemental fonts" and considers in turn the growing need for international communication.
This style began to take shape in the decade from 1920 to 1930 in Europe.
In the late nineteenth century Boga was uncomfortable with the eclecticism and the difference of architectural styles, as it took ornaments and key elements of various styles and periods, with no respect at any time to the relationship between form and function of buildings.
At the end of the nineteenth century Boga was uncomfortable with the eclecticism and the difference of architectural styles, as it took ornaments and key elements of various styles and periods, with no respect at any time to the relationship between form and function of buildings.
Modernism is a time in our history when traditional values began to change.
This style is based on previous innovations of the constructivist and especially the "elemental fonts" and considers in turn the growing need for international communication.
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